Tuesday, April 25, 2006

To See, NOT To Be Seen

Ever get nervous for auditions? Yeah...me too. I keep thinking it's going to get easier, that ease will result from repetition. I remember at an audition last year for The Pirate Queen I passed an established movie actor in his mid 50's in the hall--he was pacing, clearly nervous for his audition. I guess he caught me looking at him and he said, "Man, this never gets easier does it?" My stomach dropped. Here's an established actor telling me I've got 30 years more of nerves to look forward to?!

Well (drum roll) I think I've discovered a way to make auditioning/performing easier for all of us! Bear with me if I wax a bit buddhist here:

When was the mirror invented? I think it was in the 15th Century. Of course for thousands of years humans have had water, glass, metals, etc; to enjoy as reflective surfaces. But it's only for the last few hundred years we've had actual mirrors--surfaces specifically made so that we can study/enjoy our physical image. I hypothesize that this narcissism has, over time, led us to be pre-programmed to care (immensely) about how we are seen by others.

Think about a pack of lions grazing in a field. They are at once relaxed and poised to attack or nap or play...without any sense of their own image...without any sense of being judged by the animals around them. Animals have this advantage yes? To not be burdened by any sense of self image affecting their lives.

As an actor or a performer, the irony is that we are paid to be seen by others, but do our best work when we distance ourselves from caring about how we are seen. In other words, the more we can be like animals--simply seeing what's in front of us, in touch with our bodies and impulses without a self-conscious brain, the easier and more honest our work will be.

We have to consciously re-program our narcissistic bodies. How? That's where Alexander Technique comes into play:

When you drop your awareness into the tip of your tailbone and allow the energy to travel up the spine and out the eyes...the sense of being seen disappears...one only sees. Explore this even further...the senses are awakened...you will hear the cars on the street outside your home, the wind blowing...you'll feel the air on your skin, the clothes on your body, the floor underneath your feet, you'll see detail in the world around you...you will become a sensual being, more like an animal.

Of course this takes practice, but it's a way I've found to simplify auditioning and performing. Instead of trying to deny how much I care about an audition or who's in the audience that night by trying to "not care", I just drop into my awareness and my body, breath, and work on simply seeing, NOT being seen. It's calming, empowering, and easy. I lose the nerves associated with being seen, being judged, and am able to simply focus on my work.

Thanks to C, my Alexander teacher for inspiring this entry.

8 Comments:

At Tuesday, 25 April, 2006, Blogger Farin said...

Reading this entry totally makes me want to take up Alexander again, despite the disasterous experience I had with it the summer I went to drama school in London. I'd love to be able to relax at auditions while not losing focus, and that sounds like a wonderful, organic way of doing it.

 
At Wednesday, 26 April, 2006, Anonymous Anonymous said...

I saw you two weeks ago at the Beaumont. You were great! Not to mention tremendously sexy at the end of Act I.

 
At Wednesday, 26 April, 2006, Blogger Jamie said...

wow. i've never heard of the Alexander Technique before. but, i really like the philosphy behind it. it's really nice to know that 50 year old, experienced actors can still get nervous! thanks for the tip!

by the way, i was at lincoln center on monday to see the John Williams NY Philharmonic concert. until that night, i never *truly*, physically, experienced the way orchestral pieces can act as their own characters in movies or plays. it was great. you're very fortunate to be working in such a great place everyday :)

 
At Thursday, 27 April, 2006, Blogger Ren said...

I love the timing of this post. I read it on the day I had an audition. While I have no idea if I used the technique at all, it must have helped (or was it least a good omen), because I got the role I really wanted in the musical theater workshop showcase production we're doing. =)

-ren.

 
At Friday, 12 May, 2006, Anonymous Jay said...

for those of you interested in the Alexander Technique, I strongly recommend checking out www.balanarts.com. This is the website for Ann Rodiger, an incredible Alexander Technique teacher.

 
At Saturday, 24 June, 2006, Anonymous Anonymous said...

Yes I definately get nervous for auditions! I was hoping it would get better the more I did it. : ( Well that advice was really helpful..I have an audition next week and I'll try it out!! (You are amazing!!!)

 
At Wednesday, 09 August, 2006, Anonymous Anonymous said...

I've taken Alexander technique and I was wondering if you could give your advice on a problem I've come across. It seems like whenever I get into a character I lose the technique because my body wants to shape itself into the character, not let itself be in its natural configuration. It ends up causing a lot of tension in my neck, shoulders, and back, but I get myself into this trap of either concentrating competely on my body and not the world around me or concentrating on what's around me and forgetting about my body. How do you balance those two things?

Sloan

 
At Tuesday, 15 January, 2008, Anonymous Anonymous said...

dearest aaron - you are so humble and human - and those are qualities to be admired - especially in a famous actor

like many others - I too came across this website for the first time today - just worrying about all my auditions in the spring because I have just had knee surgery and am missing school as a write because I am still in PT recovering - life certainly threw me a curve ball - anyway - I hope that I can always remember to see and forget about being seen - it's so true that we do our best work public solitude - why is it so easy to be seen and let others' opinions define who you are?

 

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